- Ieronimus
- Information
- Route
- History
- Why the name of Ieronimus?
- The fortis salmantina
- Of bells and bell founders. The sound of memory
- Clocks and clockmakers. The measuring of time.
- From the fire to the earthquake. 1705-1755
- Restoration after the Lisbon earthquake
- The tradition of the Mariquelos
- Subsequent restoration work
- Ieronimus exhibition since 2002
- Treasures
- El Cid’s Pectoral Cross
- Renaissance wind instruments
- Marine trumpet
- Drawing of the ground plan and cross section of the dome of the New Cathedral of Joaquín de Churriguera
- Drawing of the Belfry Tower by Baltasar Devreton
- Photographs of the Belfry Tower and the Dome of the New Cathedral with contemporary personages on the weathercocks
- Will of Canon Vela
- Annuity granted by Philip II
- Royal document of Charles V
- Christmas carol with violins and bugle by Antonio de Yanguas
- Downloads
- Shop
- Más Salamanca
- Ieronimus
- Information
- Route
- History
- Why the name of Ieronimus?
- The fortis salmantina
- Of bells and bell founders. The sound of memory
- Clocks and clockmakers. The measuring of time.
- From the fire to the earthquake. 1705-1755
- Restoration after the Lisbon earthquake
- The tradition of the Mariquelos
- Subsequent restoration work
- Ieronimus exhibition since 2002
- Treasures
- El Cid’s Pectoral Cross
- Renaissance wind instruments
- Marine trumpet
- Drawing of the ground plan and cross section of the dome of the New Cathedral of Joaquín de Churriguera
- Drawing of the Belfry Tower by Baltasar Devreton
- Photographs of the Belfry Tower and the Dome of the New Cathedral with contemporary personages on the weathercocks
- Will of Canon Vela
- Annuity granted by Philip II
- Royal document of Charles V
- Christmas carol with violins and bugle by Antonio de Yanguas
- Downloads
- Shop
- Más Salamanca
-
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- Drawing of the ground plan and cross section of the dome of the New Cathedral of Joaquín de Churriguera
Drawing of the ground plan and cross section of the dome of the New Cathedral of Joaquín de Churriguera
1742?
Drawing of the initial construction of the dome. After the changes due to the 1755 Lisbon earthquake, only the base of the pendentives and the octagonal tambour survive.
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